Comité d’organisation

 

Lorenz Aggermann is graduated from Theatre, Film and Media studies, European Ethnology and German philology  and did his PhD on the subject of « The open mouth as central phenomenon of the pathic » (Berlin 2013). He works at the Institute for Applied Theatre Studies Giessen since 2012 where he holds now the postdoc position of the research project « Theatre as dispositif ». His research interests lie in the philosophic and aesthetic concepts of pathos, affect and emotion; in acoustics and phenomena of resonance. He constantly worked in multiple music theatre productions (in multiple functions).

Nicolas Dubourg est directeur du Théâtre la Vignette, Scène conventionnée pour l’émergence et la diversité. Lieu de diffusion de la création contemporaine, d’accompagnement des jeunes artistes et de formation des étudiants, la Vignette est un rouage important pour l’émergence des nouveaux artistes et des nouvelles formes scéniques.

Eva Holling is a postdoc at the Institute for Applied Theatre Studies Giessen. She studied Theatre, Film and Media, Art History and French philology in Frankfurt/M. and Paris, her dissertation on “Transference in theatre: Theoretical and practical studies of theatrical impact” will be published in spring 2016. She works as a freelance author and in various artistic practices, is a founding member of the group “manche(r)art” and member of the groups « Mühlenkampf” and “Raumfaltung”. Since 2012 she’s co-publisher of the magazine « Nebulosa ».

Fabio Raffo est  doctorant en deuxième année en études théâtrales à l’Université Paul Valéry, en cotutelle avec l’université de Bologne . Il a comme centre d’intéret la dramaturgie visuelle, le théatre italien et français contemporain, la narration et le rapport avec le texte. Il a publié un article sur le site de la revue Antropologia e Teatro:  http://antropologiaeteatro.unibo.it/article/view/6056

Bernhard Siebert is research assistant at the Institute for Applied Theatre Studies Giessen. He finished Theatre, Film and Media studies in Vienna with a work on the theatrical concept of Daniil Charms and worked from 2007 on as a PR manager at Sophiensaele Berlin and from 2010 as assistant of the artistic leader of Zürcher Theater Neumarkt. Since 2013 he develops his PhD on Explicit use of Stage techniques in the performing Arts. He also is a freelance dramaturge in various artistic practices.

 

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